Saturday, 3 October 2009

Me and my cameras


I was given my first camera when I was about ten years old, on holiday in Scarborough. As far as I remember, it was a small Kodak ‘Instamatic’ camera that took 126 cartridges, and it gave me hours of pleasure. In fact, after that I was rarely far away from my camera. In my early twenties I got more interested in photography (rather than just taking snapshots). I bought myself an SLR (I think it was a Pentax, can’t recall the model) and started learning how to use it. Sadly I have lost a lot of the knowledge I used to have then, and seem to be finding it harder as I get older to grasp and retain the technicalities. But I still have a few hundred (rather mouldy and faded!) slides from holidays and expeditions from that time. It was also at that time that I started taking an interest in other photographers’ work.

Marriage and motherhood then rather got in the way, and it is only relatively recently, in the last five years, that I have picked up an interest again. I bought my first digital compact camera - a Fuji Finepix boasting 4 megapixels - in 2004/5. How excited I was to find I didn’t need to worry about wasting film! I have to say I got some pretty satisfactory results from that camera, but I soon began to feel it had limitations, particularly in not having a very wide-angle lens.


I decided to buy a second-hand DSLR – a Konica Minolta Dynax 5 – from a friend. It’s a good camera and very versatile. In practice, however, I found it far too bulky to cart around, except when I was going on a dedicated ‘photo walk’, and far too heavy to be comfortable in use. (Being ‘older’ it is quite a bit heavier than some of the latest DSLR models.)


I soon found I needed a compact as well, and (having given the Fuji to my mum!) I bought myself a Panasonic Lumix DMC-TZ5. I have been really pleased with the quality of the photographs this produces. It’s easy and intuitive to use and I carry it round in my bag most of the time. Its zoom range is 28mm to 280mm equiv. Its biggest limitation for me is that, though it has a large LCD monitor, in bright conditions I find it very hard to see the LCD image. I get a bit cross that often that means I lose the edges of my subjects. (I came back from a trip to the Liverpool ‘Tall Ships’ with some excellent photos of ships… missing the tops of their masts or bowsprits!) In common with most compacts, it also seems very hard to dictate the kind of composition you want – for example, it’s hard to get much background blurring.


I took a once in a lifetime opportunity to go on a Pilgrimage to the Holy Land earlier this year (2009). I didn’t fancy lugging the DSLR along - and anyway, my daughter has now ‘borrowed’ that and is getting some good images! So, anticipating that trip, I bought myself another Panasonic Lumix, this time the DMC –FZ18 model, a kind of half-way house ‘prosumer’ camera. This has the advantage of an electronic viewfinder, which helps quite a bit when composing shots (and also, I find, with the steadiness of my picture-taking) – though it’s still considerably inferior to the view through an SLR. It has a versatile lens, with a range from 28mm to 504mm equiv, so it has a decent wide-angle as well as a good telephoto. I have also been pleased with the results from this, though I fancy that the images are slightly ‘softer’ than those from the compact, which can be a bit annoying.


Both cameras have Panasonic’s “Intelligent Auto” settings, which miraculously seem to be able to tell whether you’re taking a landscape, portrait or close-up. That setting gives pretty good results and is handy when I can’t be bothered to fiddle around and just want quick snaps, or when I am in someone else’s company and distracted.


Both cameras also have a very wide range of ‘Scene modes’ – which would be good if I could remember that there is a special mode for taking photos of food or through an airplane window! I have experimented with quite a few of them. Some I like and some I don’t. The sunset setting for example gives very fiery results and that doesn’t always look natural. But the portrait and landscape modes are usually very good.


I have tried a few times to use the Aperture/Shutter priority settings, but have had some difficulty in remembering how to use them and have not really managed to understand how to get the best from them. I have found that when I set what I think is a useful aperture or shutter speed, the camera seems to tell me that it is out-of-the range of its possible combinations. I know I really need encouragement to work on this and finally figure it out. But to be honest the cameras give such good results on the Scene settings that it’s hard to feel convinced I could do better, with my limited technical understanding. Hopefully this course will assist me with that.


I have not had much success with close-up work either, and would like to get better results there. I find it hard to get the focus right.


As regards the image production side of my work, I have an Apple Mac with a very large screen monitor, which is great for photographic work. The bundled Apple software – iPhoto – is brilliant and does a good job of easily adjusting images (cropping, brightening, straightening etc) as well as being very intuitive for storing and organising photos. I also have Photoshop CS (a fairly early version), which I have made good progress in learning to use, though there are many aspects that I don’t understand or use effectively – especially layers and masks.


I have an Epson Stylus Photo RX520 printer, which gives – I think - excellent results, particularly since I choose to use Epson inks and papers. It’s expensive, but I don’t see the point of producing inferior prints.


I’ve been a member of Bradford Camera Club for about 4 years and have learned a lot through that, but I feel that I need to focus more and be challenged too. I think ‘going back to basics’ will be a good discipline. So that’s why I am choosing to do this course.



3 comments:

  1. My first camera was a Kodak Instamatic too - I liked the cartridges - I couldn't abide having to thread film in the dark.

    I used a camcorder when the kids were growing up and only went back to a camera when digitals came along - had an Olympus - very expensive by today's standards and the limits of 640x480 pixels means little opportunity for cropping.

    I had a Fuji Finepix for a few years and now have a Panasonic FZ18 - I love the huge optical zoom which allows me photograph details of the top of buildings or get close-ups of notices. Also the size of the output means I can often crop three or four different photos from a single original.

    I take almost all my shots using IA setting and have had little luck taking macro shots.

    I use Paintshop Pro for post-processing.

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  2. I had a little Kodak Instamatic just like yours. Gosh, I haven't thought of it in years.

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  3. yo tambien guardo alguna cámara... tienen dentro todo lo que fotografiaron y pude vivir con ellas... contienen cosas inexplicablemente atractivas

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